I read The White Sands of Morar. I'm reading canon-blind for this one.
I liked the outsider POV for the first bit. The whole piece is very melancholic so having this part to get into it softly, distancing the reader from the situation before plunging into it is a great idea for an intro.
It also allows the reader to imagine what Ewen is thinking throughout the conversation. And it's a good idea to close this POV with "he never did find out" before moving to Ewen, it brings closure.
The travel was well written. I imagine for someone familiar with the canon it must evoke a lot of memories, but even without it, I liked the sense of familiarity you managed to get. It made me want to check out those places on a map.
I think more descriptions on the first two days of road could have been nice, like you did with the green hills and the beach—the state of the Fassefern house, maybe, or the uneven road that wakes old injuries.
Each beat of the travel also has its emotional beat for the Ewen/Keith relationship, and that's very well done. Feels very true to what a three day walk to the grave of a loved one, lost in tragic circumstances, feels like.
I think some of the longer sentences might gain from being cut (like the second-to-last paragraph), but this may be done to emulate the novel's style, in which case please disregard. It doesn’t hurt the reading rhythm either way.
The first part on the beach is very strong, but I feel your writing becomes just a little less tight than it was just after Ewen realizes Keith's feelings. More telling and less subtle showing.
I think it might be because of the second sight that we lose the tactile, vivid sensations you described before (because it's visual only).
The last three paragraphs are strong again.
Overall it's poignant, carries its message well, and reads really like a small part of a novel.
I've also read Different Kinds of Freedom, for which I knew half of the fandoms (Lolly Willowes is a beloved book of mine).
Laura is delightful here! I found the conversation to be fun and entertaining and in character (afaik for Laura, anyway). I am as curious about Halla as she is!
I thought starting with Laura "rooted" in the reality of her garden before she meets Halla and they start talking was quite clever.
For a short piece, it's really well balanced. At the end, you feel like like the story is complete on its own and yet you'd like to see a sequel just to stay in that world a moment longer.
And I read A High Probability of Compatibility.
Somehow even if I've read and wrote Rogue One, I've never read for this pairing (I stuck to the OT3 realm, but time to open my horizons). That was very good!
I liked the slow opening, setting up the characters in this post-Scarif world.
The overall plot and slow building of feelings was quite well done. I liked that Cassian is all "I was super obvious" by the end, very appropriate for him.
Bodhi feels very real as well, and you dug into his balance between feeling inadequate and wanting to do more, to involve himself and do good by the people who helped him.
My only negative point would be that although the plot is logical and well-structured, it still felt a little disjointed. I think it owes to the nature of the story as a mission fic (and one when there's not much danger, too—you build it up but it doesn't happen, so it's more of an episodic story), but maybe a few reactive sentences or tie-in lines would have helped.
For example, right after the (quite funny) stormtrooper porn scene, we get right back into business and we don't get to see how Bodhi felt about it. I was kind of expecting it to come back as a reference during the actual porn scene too (maybe it was the sex in zero G line, though?).
Overall I loved the fic, the twist on "robots made them do it" and the way those scenes usually go, the worldbuilding, the gentleness between Cassian and Bodhi.
no subject
Hi! I read three of your fics. =)
I read The White Sands of Morar. I'm reading canon-blind for this one.
I liked the outsider POV for the first bit. The whole piece is very melancholic so having this part to get into it softly, distancing the reader from the situation before plunging into it is a great idea for an intro. It also allows the reader to imagine what Ewen is thinking throughout the conversation. And it's a good idea to close this POV with "he never did find out" before moving to Ewen, it brings closure.
The travel was well written. I imagine for someone familiar with the canon it must evoke a lot of memories, but even without it, I liked the sense of familiarity you managed to get. It made me want to check out those places on a map. I think more descriptions on the first two days of road could have been nice, like you did with the green hills and the beach—the state of the Fassefern house, maybe, or the uneven road that wakes old injuries.
Each beat of the travel also has its emotional beat for the Ewen/Keith relationship, and that's very well done. Feels very true to what a three day walk to the grave of a loved one, lost in tragic circumstances, feels like.
I think some of the longer sentences might gain from being cut (like the second-to-last paragraph), but this may be done to emulate the novel's style, in which case please disregard. It doesn’t hurt the reading rhythm either way.
The first part on the beach is very strong, but I feel your writing becomes just a little less tight than it was just after Ewen realizes Keith's feelings. More telling and less subtle showing. I think it might be because of the second sight that we lose the tactile, vivid sensations you described before (because it's visual only). The last three paragraphs are strong again.
Overall it's poignant, carries its message well, and reads really like a small part of a novel.
I've also read Different Kinds of Freedom, for which I knew half of the fandoms (Lolly Willowes is a beloved book of mine).
Laura is delightful here! I found the conversation to be fun and entertaining and in character (afaik for Laura, anyway). I am as curious about Halla as she is! I thought starting with Laura "rooted" in the reality of her garden before she meets Halla and they start talking was quite clever. For a short piece, it's really well balanced. At the end, you feel like like the story is complete on its own and yet you'd like to see a sequel just to stay in that world a moment longer.
And I read A High Probability of Compatibility.
Somehow even if I've read and wrote Rogue One, I've never read for this pairing (I stuck to the OT3 realm, but time to open my horizons). That was very good!
I liked the slow opening, setting up the characters in this post-Scarif world. The overall plot and slow building of feelings was quite well done. I liked that Cassian is all "I was super obvious" by the end, very appropriate for him. Bodhi feels very real as well, and you dug into his balance between feeling inadequate and wanting to do more, to involve himself and do good by the people who helped him.
My only negative point would be that although the plot is logical and well-structured, it still felt a little disjointed. I think it owes to the nature of the story as a mission fic (and one when there's not much danger, too—you build it up but it doesn't happen, so it's more of an episodic story), but maybe a few reactive sentences or tie-in lines would have helped.
For example, right after the (quite funny) stormtrooper porn scene, we get right back into business and we don't get to see how Bodhi felt about it. I was kind of expecting it to come back as a reference during the actual porn scene too (maybe it was the sex in zero G line, though?).
Overall I loved the fic, the twist on "robots made them do it" and the way those scenes usually go, the worldbuilding, the gentleness between Cassian and Bodhi.