Concrit for Farla
Apr. 13th, 2021 10:47 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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I want to receive feedback by : On Ao3, though I don't mind if you want to duplicate it over here as well. (Duplicating it here's probably easier from a mod perspective as well.) I'm fine with anon comments.
Here are the works I want feedback on:
The Lindworm, The Witcher, 6,425 words, complete.
In the Witch's Tower, The Witcher, 1,201 words, complete.
Yenna, The Witcher, 20,555 words, complete.
The Sun Shines Differently, The Witcher/Dragon Age crossover, 1,113 words, one-shot series.
Encore, Castlevania show, 71,002 words, ongoing.
With joy shall I behold the day, that calls my willing soul away, Pokemon, 939 words, complete.
Sundown and the Shedding-Skin Woman, Pokemon, 3,056 words, complete.
The Point of No Return, Pokemon, 8,060 words, complete.
Another Verse, Pokemon, 80,066 words, ongoing.
The Best It Could've Gone, She-Ra, 2,488 words, complete.
Absolutely not opposed to comments on anything else including meta and even the most ancient stuff at the back.
For the multi-chapter ones, I'm fine with a comment on a chapter rather than the whole.
My works' fandoms and content notes are:
Mild gore, character death, abuse, science and biology heavy.
I have these questions for readers:
I'm most interested hearing whatever stood out to you.
I often go in an odd direction from canon but I do really like canon as a base. If you're familiar with a fandom, I'd like to know what you thought of how I characterized people or if there's something I missed in worldbuilding. And I value things hanging together in general, so even if you're fandom blind I'd like to hear how much the world/people/plot makes sense to you.
A number of my stories involve mildly unreliable narrators - ones who aren't lying, but whose viewpoints strongly color what they think is happening. I'm curious how well that works and your impression of the characters/situation.
I find rephrasing a sentence or giving examples of another way to handle a plot element very helpful for understanding what people mean when they point out a problem they've seeing.
For Another Verse in particular, the main character is meant to be walking a line where she wants other people hurt but she's limited in her actions to what's socially acceptable. I think I've been too conservative about what she could get away with and advice on how she could be worse would be great.
The style of feedback I prefer to receive is:
Blunt is fine. If you liked something, I'm happy to hear it, but if you have nothing nice to say, I'm happy to hear that too.
Comments to this post will be: Unscreened.
Here are the works I want feedback on:
The Lindworm, The Witcher, 6,425 words, complete.
In the Witch's Tower, The Witcher, 1,201 words, complete.
Yenna, The Witcher, 20,555 words, complete.
The Sun Shines Differently, The Witcher/Dragon Age crossover, 1,113 words, one-shot series.
Encore, Castlevania show, 71,002 words, ongoing.
With joy shall I behold the day, that calls my willing soul away, Pokemon, 939 words, complete.
Sundown and the Shedding-Skin Woman, Pokemon, 3,056 words, complete.
The Point of No Return, Pokemon, 8,060 words, complete.
Another Verse, Pokemon, 80,066 words, ongoing.
The Best It Could've Gone, She-Ra, 2,488 words, complete.
Absolutely not opposed to comments on anything else including meta and even the most ancient stuff at the back.
For the multi-chapter ones, I'm fine with a comment on a chapter rather than the whole.
My works' fandoms and content notes are:
Mild gore, character death, abuse, science and biology heavy.
I have these questions for readers:
I'm most interested hearing whatever stood out to you.
I often go in an odd direction from canon but I do really like canon as a base. If you're familiar with a fandom, I'd like to know what you thought of how I characterized people or if there's something I missed in worldbuilding. And I value things hanging together in general, so even if you're fandom blind I'd like to hear how much the world/people/plot makes sense to you.
A number of my stories involve mildly unreliable narrators - ones who aren't lying, but whose viewpoints strongly color what they think is happening. I'm curious how well that works and your impression of the characters/situation.
I find rephrasing a sentence or giving examples of another way to handle a plot element very helpful for understanding what people mean when they point out a problem they've seeing.
For Another Verse in particular, the main character is meant to be walking a line where she wants other people hurt but she's limited in her actions to what's socially acceptable. I think I've been too conservative about what she could get away with and advice on how she could be worse would be great.
The style of feedback I prefer to receive is:
Blunt is fine. If you liked something, I'm happy to hear it, but if you have nothing nice to say, I'm happy to hear that too.
Comments to this post will be: Unscreened.
no subject
Date: 2021-04-20 10:59 pm (UTC)no subject
Date: 2021-05-09 01:14 am (UTC)