svgurl: (dceu: diana/steve)
[personal profile] svgurl
This is what I wrote for the [community profile] unsent_letters_exchange. :)

Title: my heart is with you
Fandom: DCEU
Pairing/Characters: Diana/Steve
Rating: Teen
Word Count: 1983
Summary: Diana writes letters for Steve, until she no longer has to.
svgurl: (gilmore girls: rory/jess arm touch)
[personal profile] svgurl
These were the fics I received from the [community profile] unsent_letters_exchange. :D

Title: Please Mr Postman
Author: [archiveofourown.org profile] Ultra
Fandom: Gilmore Girls
Pairing/Characters: Lane/Dave
Rating: Teen
Word Count: 2855
Summary: When Dave goes off to California for college, he and Lane agree to do the long distance thing, largely through letters... and a lot of pop and rock music references, of course

I was so excited to get Lane/Dave! Loved all the fun music references and the letters were very them. :D

Title: Please Mr Postman - Post Credits Scene
Author: [archiveofourown.org profile] Ultra
Fandom: Gilmore Girls
Pairing/Characters: Rory/Jess
Rating: Teen
Word Count: 1097
Summary: Inspired by Dave & Lane's letter writing, Rory writes to Jess.

The Rory/Jess references in the original fic was already nice but it was a lovely delight to get a followup fic with giving them a chance at a happy ending too!

The Politics of Entertainment

May. 22nd, 2025 04:16 pm
unspeakablehorror: (Default)
[personal profile] unspeakablehorror
A lot of mainstream TV and movies specifically promote "Western" values and especially the values of the United States government as inherently superior to all others. Specifically, this media promotes capitalism, imperialism, and colonialism regardless of whether it's geared towards liberal or conservative consumption. In short, a lot of media is simply sugarcoated propaganda. This is especially true of children's media, and why "it's just a children's cartoon" is not a valid argument for a piece of media not containing embedded political values. Quite the opposite, actually. The whole point of children's media containing such values is to help ensure the absorbsion and adoption of those values by the future generation. The point is to get to them early, so these values become their default.

Now, the people involved in creating this propaganda are not necessarily aware that that is what they are doing. Indeed, many of these people may consider themselves apolitical or even countercultural. But their awareness of their place in the machine is unnecessary for the machine's usage of them. The machine functions in a way such as to elevate those most useful to it while suppressing the rest.

Some examples:

Star Wars - The depiction of the Ewoks employs a number of incredibly racist tropes, including depicting them as cannibals and them accepting C3P0 as a god. The colonialist aspect of the core worlds in the prequels like Coruscant is purposely obscured by making the Separatist government headed by Sith puppets and relegating things like the genocide of the Geonosians to a relative footnote outside the movies.

Star Trek, especially modern Star Trek - While Star Trek has always had implicit militaristic undertones (considering their supposedly peaceful mission of exploration they sure are involved in a lot of wars and their ships are sure decked out to the teeth in weapons), the last seasons of Picard and Discovery especially doubled down on this. Also Picard has a white saviorism arc involving the romulans that it never even bothers to resolve.

Avatar: The Last Airbender - contrast the narrative choice to depict the oppressed Jet and Hama as incredibly evil and, in Hama's case, irreedeemable, to the narrative's treatment of Zuko and Iroh. The narrative never treats Iroh as an actual villain, and Zuko is not only given a redemption arc, but becomes ruler of the Fire Nation at the end of the story.

Avatar - the white savior fantasy in space. The white savior fantasy is inherently colonialist.

Legend of Korra - basically doubles down on the colonialist and imperialist apologism of its predecessor. Also adds a copaganda angle.

wednesday media

May. 21st, 2025 03:13 pm
isis: (cowboy callum)
[personal profile] isis
What I recently finished watching:

S3 of Dark Winds, which GRRM (who is an executive producer of the show) makes a cameo in, hee. Also Jenna Elfman guest stars as an FBI investigator in from DC. This one goes hard on the "dark" part of the title, with some fairly gruesome crimes going on, as well as the emotional darkness from the fallout of the events of the previous season.

As usual I really enjoyed seeing my local landscapes, and the general Indian-country vibe of the show. (As I've mentioned before, I live not far from Navajo, though the local tribe is actually the Southern Ute; also, the college down the road is free for enrolled tribal members of any US tribe.) I was less a fan of how the season really consisted of very separate storylines, Bernie in the Border Patrol and Joe and Jim on the rez, however, the Navajo police investigation was well integrated with Joe's personal story, which made it all that more interesting. (Also here I have to admit that although I like Jim Chee as a character, I don't find him very attractive - a combination of Kiowa Gordon's chubby face and his truly dreadful 1970's costuming - so the romantic storyline was a little flat for me.)

However, damn do I love Bernie! However, her storyline confused me a bit, because it started out being about human trafficking but ended up being about drugs? But there was also a frightened Mexican family involved? Not sure what was going on there. I did figure out before the reveal who the bad guys and the complicit guys were (and heh, I bet the Republicans are none too pleased at the show painting the Border Patrol as a den of corruption) and wow, the ending of that bit was very kickass.

What I'm watching now:

S2 of Andor, which I only remember certain points from S1 so I was pretty confused during the first episode. Hopefully it will become clear(er) after the second episode, tonight.

Seasons of Drabbles!

May. 20th, 2025 07:52 pm
alchemise: Matt with costume peeling off (Daredevil)
[personal profile] alchemise
I received a lovely triple drabble about Vanessa Fisk!

i see the lightning flashing (300 words) by dizzydragonfly
Fandom: Daredevil (TV)
Rating: General Audiences
Relationships: Vanessa Marianna Fisk & Matt Murdock, Vanessa Marianna Fisk/Wilson Fisk
Additional Tags: Daredevil: Born Again (TV) Season 01, Episode: s01e08 Isle of Joy (Daredevil: Born Again), Gunshot Wounds, Canon Compliant, Vanessa Fisk POV, Drabble, Triple Drabble
Summary: Murdock's figured her out. It was probably inevitable, now that Wilson's returned to the spotlight and it seems so has his own darker half.

Vanessa's POV at the end of Born Again episode 8



I wrote two drabbles! First, for Daredevil: Born Again:

Likeness (100 words) by alchemise
Fandom: Daredevil (TV)
Rating: Teen And Up Audiences
Characters: Frank Castle
Additional Tags: Drabble, Daredevil: Born Again (TV) Season 01
Summary: Frank would never pretend any great attachment to the skull graphic.

drabble behind the cut! )

And second for True Detective: Night Country:

Calling (100 words) by alchemise
Fandom: True Detective: Night Country (TV)
Rating: Not Rated
Characters: Evangeline Navarro
Additional Tags: Drabble, Implied Evangeline Navarro/Liz Danvers
Summary: The ghosts became her new normal.

drabble behind the cut! )

Interpretation in Reality and Fiction

May. 20th, 2025 05:13 pm
unspeakablehorror: (Default)
[personal profile] unspeakablehorror
I think a key difference between reality and fiction is the role interpretation plays in our understanding of them. Because while both reality and fiction must be interpreted in an ethical sense, in fiction the question of what is and what has happened also becomes an element of interpretation, and takes on an ethical dimension that isn't inherently present in reality itself.

With both, our interpretation of ethical implications plays a key role in our understanding them. And while I am not a ethical relativist in the sense of viewing all ethical stances as equally valid, I am one in the sense of acknowledging that ethics is meaningless outside of the context of the minds of thinking and feeling beings and only gains meaning by existing inside the minds of those beings. It is something that exists purely because we believe in it, purely because we want it to exist, and what is viewed as ethical is relative to the mind doing the viewing.

In contrast, the events that transpire in the real world exist regardless of our wishes and thus the mere fact of their occurrence does not endow them with any particular ethical dimension, good or bad--it is instead our ethical evaluations that endow them with that ethical status. The real world exists outside of our wants, desires, and goals, and its nature is thus not relative to those internal motivations.

This is why everything that happens to a character in a fictional work can be analyzed within an ethical framework, including tragic accidents and unexpected fortune. This is why I don't think watsonian analysis is inadequate for analyzing the ethical implications of a work. This doesn't mean I don't think it has its place--it is part of the act of interpretation that occurs when immersing ourselves in a fictional world. As a fanfic writer, I find watsonian analysis essential to constructing a narrative within an existing story. But I think it inherently falls short once it tries to grapple with the ethical implications of that fictional world to those of us in the real world. Because watsonian analysis treats the fictional world as if it were real, as if it can have events that exist outside of intent. But no events in fiction can exist outside of the intent of either the author or the reader. Furthermore, we cannot treat the desires and wishes of the characters in the story as existing separately from the intent of the author and reader.

I think this is an important distinction that must be grappled with when analyzing fiction as opposed to reality.

Once Upon a Fic reveals

May. 17th, 2025 05:09 pm
regshoe: Text 'a thousand, thousand darknesses' over an illustration showing the ruins of Easby Abbey, Yorkshire (A thousand darknesses)
[personal profile] regshoe
Once Upon a Fic works are revealed, and I have received this weird and lovely femslash story for the poem 'Christabel', which I picked up shortly before sign-ups. It develops the mystery of canon in an intriguing way without quite explaining everything, and its mysterious, richly-descriptive mood is very fitting!

Why Have You Called me Forth? (4437 words) by Anonymous
Chapters: 1/1
Fandom: Christabel - Samuel Taylor Coleridge
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Christabel/Geraldine (Christabel)
Characters: Christabel (Christabel), Geraldine (Christabel)
Additional Tags: Supernatural Elements, Haunting, Ghosts, Religious Guilt, Implied/Referenced Character Death, Dreams and Nightmares, Dreams vs. Reality, Psychic Abilities, Implied/Referenced Homophobia, Implied Relationships, Secret Crush, Emotionally Repressed, Sexual Repression, Unresolved Romantic Tension, Unreliable Narrator
Summary:

Christabel closes her eyes.

Within the dream, Geraldine waits.

[REDACTED]

May. 17th, 2025 01:17 am
unspeakablehorror: (Default)
[personal profile] unspeakablehorror
One of the problems I consistently encounter when socializing is that I simply am unwilling to explain myself because that would almost invariably entail revealing more about myself than I am willing to.

Though I can't help but doubt that it would matter even if I did. Plenty of people tell their life story online and aren't treated any better for it despite far more difficult or dire circumstances than my own. I've seen that as instructive: sympathy is less important to the social order than superiority. So perhaps my issue is more illusory than it appears. Would things go any better for me if I was more open? The evidence indicates not.

And yet, at the same time, I feel my lack of openness does somehow alienate me from others beyond the already rampant disconnection and derision people typically seem to have towards each other.

It's a problem I see no satisfactory answer to.

thursday reads and things

May. 15th, 2025 04:35 pm
isis: (head)
[personal profile] isis
Because I was going to do this yesterday, but time is soup.

What I've recently finished reading:

I went back to the Nantucket Trilogy and read the last book, On the Oceans of Eternity by S. M. Stirling, which yay, did deliver on the exploration of the American continent which I complained about in my review of #2. But I think these books could have done with some rearrangement and editing and maybe being four books instead of three, because this was a (virtual) doorstopper, and it still felt as though a few of the threads came to abrupt ends. I mean, I liked it overall, though I did skim battle battle battle battle. And the characterization is pretty minimal - none of these characters are particularly compelling, or distinctive other than by tricks of locution, and the Evil people are Evil and the Good people are Good and Good wins yay. But the characterization of the situation is pretty good, the whole "modern people dropped in the Bronze Age" thing is just great, even if it does strain belief that they have enough intellectual resources and physical skills to make a go of it.

What I've recently listened to:

I recently found out that an acquaintance of mine, a neurologist, started a podcast late last year, and as I wanted to listen to something while running that wasn't politics for a change I picked out an episode from February (there are only nine episodes) that sounded interesting. Stranger Tongues, Stranger Tides is about communication between humans and non-humans; it starts with his own experiences with a scrub jay in his back yard, and moves on to discussions of experiments in communicating with animals, and attempts to communicate with his autistic son, and eventually communication with (possible) aliens and "AI" LLMs.

I really enjoyed it, and I think that if you liked Ed Yong's An Immense World and/or Adrian Tchaikovsky's Children of Time series (and especially if you read my post from 2023 about Ezra Klein's interview with Tchaikovsky and their discussion of how his work is an exploration of personhood and AI) you may too. The entire podcast series is available at https://www.significant-podcast.com/ but I just typed Significant into my podcast app and found it that way. I plan on listening to the rest!

A weird pairing in my sleep

May. 15th, 2025 11:11 pm
luzula: a Luzula pilosa, or hairy wood-rush (Default)
[personal profile] luzula
I had a dream last night which was Brad Colbert (from Generation Kill)/Clarissa Harlowe (from the 18th century novel). This made sense in my dream, not so much to my waking self...

Pacing in adaptations

May. 11th, 2025 05:57 pm
regshoe: (Explaining Alan)
[personal profile] regshoe
Pacing is a point that's repeatedly come up as I've been reviewing adaptations of Kidnapped. It's interesting to compare which parts of the story different adaptations choose to spend more or less time on, and frustrating that there seems to be a tendency to spend more time on what are IMO the less fannishly appealing and historically interesting parts of the story (viz., the Alan-less and non-Highland bits). Then I thought, this is something I can analyse with numbers and graphs!

So, which adaptation is the most faithful in its pacing? The answer may surprise you! )

Trans Fic Ex 2025 Letter

May. 10th, 2025 07:23 pm
withinadream: (Default)
[personal profile] withinadream

Thank you for writing or drawing for me! I’ve requested fic and art for all of my fandoms. I am [archiveofourown.org profile] within_a_dream on AO3, and you can read my previous letters here if you want to see some of my previous exchange requests! I have requested both fic and art for all fandoms.

I'm going a little sparse on my tag requests because for most of my character noms, I don't really have specific plots I want to see, I would just love any and all fanworks where my chosen characters are trans! So do feel free to go wild. I don't have strong pronoun preferences for any of my requests, although if you're going for a neutral pronoun I do slightly prefer singular they.
Read more... )

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